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Brad Paisley
Brad Paisley


Background information
Birth name Bradley Douglas Paisley
Born October 28, 1972
Origin Glen Dale, West Virginia, United States
Genre(s) Southern Rock
Americana
Country
Years active 1999—present
Label(s) Arista Nashville Records
Associated acts Dolly Parton
David Kersh
Alison Krauss
Carrie Underwood
Chely Wright
Dierks Bentley
Keith Urban
Website Website



Music World  →  Lyrics  →  B  →  Brad Paisley  →  Albums  →  Part II

Brad Paisley Album


Part II (05/29/2001)
05/29/2001
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Munster Rag (Instrumental)
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. . .


(Brad Paisley/Robert Arthur)

Yesterday I thought that I was low as I could get
I had hit rock bottom ever since you up and left
But this morning when I saw you with
Somebody else, well needless to say 
That's when I started sinking even lower
And as far as where I am at today

There's two feet of topsoil
A little bit of bedrock, limestone in between
A fossilized dinosaur
A little patch of crude oil
A thousand feet of granite underneath
Then there's me

I was kinda hopin' I could dig my way back out
A couple dozen roses maybe get you back somehow
But the love in your eyes as you talked to him
Today was plain to see
So I ain't gonna get involved, but
Should you change your mind 
Well you know right where I'll be

There's two feet of topsoil
A little bit of bedrock, limestone in between
A fossilized dinosaur
A little patch of crude oil
A thousand feet of granite underneath
Then there's me

. . .


(Brad Paisley/Frank Rogers)

Well I love her
But I love to fish
I spend all day out on this lake
And hell is all I catch
Today she met me at the door
Said I would have to choose
If I hit that fishin' hole today
She'd be packin' all her things 
And she'd be gone by noon

Well I'm gonna miss her
When I get home 
But right now I'm on this lakeshore
And I'm sittin' in the sun
I'm sure it'll hit me
When I walk through that door tonight
That I'm gonna miss her
Oh, lookie there, I've got a bite

Now there's a chance that if I hurry
I could beg her to stay
But that water's right
And the weather's perfect
No tellin' what I might catch today

Well I'm gonna miss her
When I get home 
But right now I'm on this lakeshore
And I'm sittin' in the sun
I'm sure it'll hit me
When I walk through that door tonight
That I'm gonna miss her
Oh, lookie there, I've got a bite

Yeah, I'm gonna miss her
Oh, lookie there, I've got a bite

. . .


(Brad Paisley/Kelley Lovelace)

Hollywood never fails to make a sequel
For each and every movie that does well
Why can't love be more like that
Where the best ones get a second chance
And that way though you're gone
It wouldn't be that long ('til)

I'd see you in part two
And we'd pick up where we left off 
When I lost you
And we'd fall in love again
And change the way the story ends
Yeah, we'd bring back me and you
In part two

Lookin' back we had so much to look forward to 
The kind of love that deserves to be continued 
And if this were only Tinseltown
By now they would have figured out 
A way for you and I 
To give it one more try (and)

I'd see you in part two
And we'd pick up where we left off 
When I lost you
And we'd fall in love again
And change the way the story ends
Yeah, we'd bring back me and you
In part two

Yeah, we'd fall in love again
And change the way the story ends
Yeah, we'd bring back me and you
In part two

. . .


(Brad Paisley/Chris DuBois/Kelley Lovelace)

Every day I clock out
And head straight to her house
We cuddle up on the couch
But it always ends the same ole way
I'm drivin' home and it's incredibly late
Something's got to change, 'cause

I've been wrapped around her finger
Since the first time we went out
Every day and every night she's all I think about 
I need that girl beside me
When the lights go out
I think it's time to put a ring on the finger
I'm wrapped around

Went to the bank took out a loan
Went and bought the perfect stone
Called up her dad on the phone
I'm takin' him to dinner Sunday night
I've never been so nervous in my life
I want to do this right, 'cause

I've been wrapped around her finger
Since the first time we went out
Every day and every night she's all I think about 
I need that girl beside me
When the lights go out
I think it's time to put a ring on the finger
I'm wrapped around

Yes sir I love her very much
I know it's only been seven months
But that's long enough

I've been wrapped around her finger
Since the first time we went out
Every day and every night she's all I think about 
I need that girl beside me
When the lights go out
I think it's time to put a ring on the finger
I'm wrapped around

I think it's time to put a ring on the finger
I'm wrapped around

. . .


(Brad Paisley / Kelley Lovelace / Tim Owens)

A baby's born in the middle of the night in a local delivery room
They grab his feet, smack him till he cries he goes home the next afternoon
'Fore you know it he's off to school and then he graduates in May
Goes out and gets a Ph.D. and then cures all sorts of things
Wins a Nobel Prize and saves a million different lives
The world's a better place for all he's done
It's funny when you think about the reason he's alive
It's all because two people fell in love

Right now at a picnic shelter down by Caney Creek
You'll find potato salad hot dogs and baked beans
The whole Wilson family's lined up fillin' their paper plates
They've drove or flown in here from fifteen different states
Well Stanley Wilson says that sixty years ago he knew
That Miss Emma Tucker was the one
Now five generations get together every June
All because two people fell in love

1st Chorus
There ain't nothin' not affected
When two hearts get connected
All that is, will be, or ever was
Every single choice we make
Every breath we get to take
Is all because two people fell in love

Well, I recall a young man who was driftin' aimlessly
And a young waitress who seemed lonesome as could be
But in a little cafЁ¦ right off of fourteenth avenue
With a whole lotta help from up above
We met and things sure turned around for me and you
And all because two people fell in love

2nd Chorus
Baby, there ain't nothin' not affected
When two hearts get connected
All that is, will be, or ever was
I'm glad your dad could not resist
Your mama's charms and you exist
All because two people fell in love

Tag
You know, to me it's all so clear
Every one of us is here
All because two people fell in love

A baby's born in the middle of the night in a local delivery room
They grab his feet, smack him till he cries he goes home the next afternoon

. . .


(Brad Paisley/Chely Wright)

You know I'm stubborn, set in my ways, said I'd never
Fall in love, used all the old cliches
But just now when you called and my heart rate hit the roof
I realized it's time to eat my words and face the truth

So come on over tonight we'll sit on the swing
Watch the pigs fly by flappin' their brand new wings
Just sit back and relax and watch me eat my hat
While the oak trees sprout dollar bills
And I look you in the eye
To finally say the words I swore I'd never say
In my whole life
So come on over tonight

I called my buddies, they're comin' too
After the way I ran my mouth they can't 
Believe it's true
They're bringin' pizza and sweet tea
And I hope that you don't mind
But they said they've gotta see this
And they promise to be quiet

So come on over tonight we'll sit on the swing 
Watch the pigs fly by flappin' their brand new wings
Just sit back and relax and watch me eat my hat
While a big ol' bolt of lightning
Strikes me not just once, but twice
As I say the words I swore I'd never say
In my whole life
Yeah, come on over tonight

Me fallin' in love, that's one of those things
That I swore would never come true
But I'm startin' to think that nothin' is impossible now
That I found you, nothin'

Yeah, come on over tonight we'll sit on the swing
Watch the pigs fly by flappin' their brand new wings
Just sit back and relax and watch me eat my hat
See the premiere performance of demons on ice
As I say the words I swore I'd never say
In my whole life

Say, come on over
Hey, come on over
Said, come on over tonight


. . .


(Darrell Scott)

In the deep dark hills of eastern Kentucky
That's the place where I trace my bloodline
And it's there I read on a hillside gravestone
You will never leave Harlan alive

Oh, my granddad's dad walked down 
Katahrins Mountain
And he asked Tillie Helton to be his bride
Said, won't you walk with me out of the mouth
Of this holler
Or we'll never leave Harlan alive

Where the sun comes up about ten in the morning
And the sun goes down about three in the day
And you fill your cup with whatever bitter brew you're drinking
And you spend your life just thinkin' of how to get away

No one ever knew there was coal in them mountains
'Til a man from the Northeast arrived
Waving hundred dollar bills he said I'll pay ya for your minerals
But he never left Harlan alive

Granny sold out cheap and they moved out west 
Of Pineville
To a farm where big Richland River winds
I bet they danced them a jig, laughed and sang a new song
Who said we'd never leave Harlan alive

But the times got hard and tobacco wasn't selling 
And ole granddad knew what he'd do to survive
He went and dug for Harlan coal
And sent the money back to granny
But he never left Harlan alive

Where the sun comes up about ten in the morning
And the sun goes down about three in the day
And you fill your cup with whatever bitter brew you're drinking
And you spend your life just thinkin' of how to get away

Where the sun comes up about ten in the morning
And the sun goes down about three in the day
And you fill your cup with whatever bitter brew you're drinking
And you spend your life digging coal from the bottom of your grave

In the deep dark hills of eastern Kentucky
That's the place where I trace my bloodline
And it's there I read on a hillside gravestone

. . .


(Brad Paisley/Chris DuBois)

I talked to my sister in Memphis
And I told her you were movin' to town
Here's her number
She said she'd be glad to show you around
I left a map on your front seat
Just in case you lose your way
But don't worry, once you reach Sallisaw
It's all interstate

I know you need to go
But before you do I want you to know, that I

Wish you the best
And I wish you nothing less
Than every thing you've ever dreamed of 
And I hope that you find love along the way
But most of all
I wish you'd stay

I figure right about sundown
You'll be in West Tennessee
And by then
Maybe I'll understand why you had to leave

I know that you've done some changin' 
And I know there's no changin' your mind
And yes I know
We've been through this a thousand times

I'm sorry for still holdin' on
I'll try to let go and I'll try to be strong, and I'll 

Wish you the best
And I wish you nothing less
Than every thing you've ever dreamed of 
And I hope that you find love along the way
But most of all
I wish you'd stay

Yeah, everything you've ever dreamed of 
And I hope that you'll find love along the way
But most of all
I wish you'd stay

. . .


(Brad Paisley/Chris DuBois/Frank Rogers)

So you say you wanna tie the knot
And you're askin' me if I think that the two of you have got 
What it takes to make it work
Well one thing's for sure
All you really need is love

Let me say I'm happy for you both
And here's a little something that the two of you should know
If you want to do it right
Just take my advice
All you really need is love

And a license and a blood test and a bunch of invitations
A minister, a white dress, and of course a congregation
And flowers and music and candles and cake
And a bunch of rice for folks to throw as you drive away

Now what's that expression on your face
You're lookin' kind of pale, is everything OK
Don't worry you'll be fine
If you just keep in mind
All you really need is love

And bridesmaids and groomsmen and a wedding coordinator
And food for the reception, you'll need someone to cater
Did I forget to mention it'll take a couple rings
And of course a P.A. system if you're wantin' me to sing

Now you look so happy you could cry
And that explains the tear drops I see wellin' in your eyes
Don't worry you'll be fine
If you just keep in mind
All you really need is love

I'm sure I'm tellin' you something you already knew

. . .

Munster Rag

[No lyrics]

. . .


(Brad Paisley/Frank Rogers)

Every morning the last couple of weeks
In between shaving and brushing my teeth
I'd lean on the sink and practice my lines
By now you would think they'd be memorized

But leave it to me to come all this way
Get down on one knee and forget what to say
I'm at a loss, should have known this is how it would be
'Cause you have that effect on me

I must admit I still don't understand
Why I lose my head holding your hand
There's no explanation, no simple excuse
For this intoxication I feel around you

And now truth be known since I've met you girl
I've been walkin' around in my own little world
One look in my eyes and darlin' any fool could see
That you have that effect on me

You've had your eyes on a two carat ring
I finally went out and I bought it
Right now it's at home sittin' on my TV
Would you believe I forgot it

But you can't blame me 'cause it's plain to see
That you have that effect on me
Yeah, you have that effect on me

. . .


(Bill Anderson/Chuck Cannon)
Featured vocals by George Jones, Bill Anderson, and Buck Owens

Too country what's that
Is it like too Republican or too Democrat
Is it too far to the left 
Too far to the right
Too straight down the middle
Is it too black or too white

Are the biscuits too fluffy is the chicken too fried
Is the gravy too thick are the peas too black-eyed
Is the iced tea too sweet does it have too much tang
Are there too many lemons in mama's lemon meringue

Too country what's that
It is too many pearls of wisdom under grandpa's old hat
Is it just too old fashioned is it just too antique
Is the question too strong or the answer too weak

Are the roses too red is the sunshine too bright
Are there too many stars in the heavens at night
Are there too many fish that still jump in the stream
Is the blue sky too blue is the clean air too clean

Is the grace too amazing is the steeple too tall
Are there too many "yes sir's", "yes ma'am's"
And "how're y'all's"
Is the message too real too close to the bone
Do the fiddle and steel remind you too much of home
Is honest and true just not in demand
Too country
Too country
Too country

. . .



On a hill far away, stood an old rugged Cross
The emblem of suff'ring and shame
And I love that old Cross where the dearest and best
For a world of lost sinners was slain

So I'll cherish the old rugged Cross
Till my trophies at last I lay down
I will cling to the old rugged Cross
And exchange it some day for a crown

Oh, that old rugged Cross so despised by the world
Has a wondrous attraction for me
For the dear Lamb of God, left his Glory above
To bear it to dark Calvary

So I'll cherish the old rugged Cross
Till my trophies at last I lay down
I will cling to the old rugged Cross
And exchange it some day for a crown

In the old rugged Cross, stain'd with blood so divine
A wondrous beauty I see
For the dear Lamb of God, left his Glory above
To pardon and sanctify me

So I'll cherish the old rugged Cross
Till my trophies at last I lay down
I will cling to the old rugged Cross
And exchange it some day for a crown

To the old rugged Cross, I will ever be true
Its shame and reproach gladly bear
Then He'll call me some day to my home far away
Where his glory forever I'll share

So I'll cherish the old rugged Cross
Till my trophies at last I lay down
I will cling to the old rugged Cross

. . .


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