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Bette Midler
Bette Midler


Background information
Born December 1, 1945
Born place Honolulu, Hawaii, United States
Genre(s) Vocal
Pop
Adult Contemporary
Comedy
Years active 1965—present
Label(s) Columbia Records
Atlantic Records
Associated acts Barry Manilow
Website Website



Music World  →  Lyrics  →  B  →  Bette Midler  →  Albums  →  Experience the Divine: Greatest Hits

Bette Midler Album


Experience the Divine: Greatest Hits (1993)
1993
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. . .


We had an apartment in the city.
Me and my husband liked living there.
It's been years since the kids have grown,
a life of their own, left us alone.

John and Linda live in Omaha.
Joe is somewhere on the road.
We lost Davy in the Korean war.
I still don't know what for, don't matter any more.

You know that old trees just grow stronger,
and old rivers grow wilder every day,
but old people, they just grow lonesome
waiting for someone to say,
"Hello in there. Hello"

Me and my husband, we don't talk much anymore.
He sits and stares through the backdoor screen.
And all the news just repeats itself
like some forgotten dream
that we've both seen.

Someday I'll go and call up Judy.
We worked together at the factory.
Ah, but what would I say when she asks what's new?
Say, "Nothing, what's with you?
Nothing much to do."

You know that old trees just grow stronger,
and old rivers grow wilder every day,
ah, but, but old people, they just grow lonesome
waiting for someone to say,
"Hello in There. Hello."

So if you're walking down the street sometime
and you should spot some hollow ancient eyes,
don't you pass them by and stare
as if you didn't care.
Say, "Hello in there. Hello

. . .


Do you wanna dance, and hold my hand?
Tell me you're my lover man.
Oh baby, do you wanna dance?

We could dance under the moonlight,
hug and kiss all through the night.
Oh baby, tell me, do you wanna dance with me baby?

Do you, do you, do you, do you want to dance?
Do you, do you, do you want to dance?
Do you, do you, do you, do you want to dance with me baby?

Ah, that's right, ah, ah, aaaaaaaah.
Do you want to dance under the moonlight?
Hug me, kiss me, baby, all through the night.
Oh baby, baby, baby, baby, baby, baby, tell me, do you want to dance?

Oh, do you, do you, do you, do you want to dance?
Do you want to dance?
Do you, do you, do you, do you want to dance with me baby?
You got to dance with me baby.
Please dance with me baby


. . .


From a distance the world looks blue and green,
and the snow-capped mountains white.
From a distance the ocean meets the stream,
and the eagle takes to flight.

From a distance, there is harmony,
and it echoes through the land.
It's the voice of hope, it's the voice of peace,
it's the voice of every man.

From a distance we all have enough,
and no one is in need.
And there are no guns, no bombs, and no disease,
no hungry mouths to feed.

From a distance we are instruments
marching in a common band.
Playing songs of hope, playing songs of peace.
They're the songs of every man.
God is watching us. God is watching us.
God is watching us from a distance.

From a distance you look like my friend,
even though we are at war.
From a distance I just can't comprehend
what all this fighting is for.

From a distance there is harmony,
and it echoes through the land.
And it's the hope of hopes, it's the love of loves,
it's the heart of every man.

It's the hope of hopes, it's the love of loves.
This is the song of every man.
And God is watching us, God is watching us,
God is watching us from a distance.
Oh, God is watching us, God is watching.
God is watching us from a distance.

. . .


Woah! Spring is here and the sky is so very blue.
Wo-o-o-oah, birds all sing as if they knew,
today's the day we'll say, "I do,"
and we'll never be lonely anymore.

Because we're goin' to the chapel
and we're gonna get married,
goin' to the chapel
and we're gonna get married,
gee, I really love you
and we're gonna get married,
goin' to the chapel of love.

Bells will ring and the sun is gonna shine.
Yeah, yeah, yeah, I'm gonna be his, he's gonna be mine.
We're gonna love until the end of time,
and we'll never be lonely anymore.

Because we're goin' to the chapel
and we're gonna get married,
goin' to the chapel
and we're gonna get married,
gee, I really love you
and we're gonna get married,
goin' to the chapel of love.
One more time around, oh.

Goin' to the chapel and we're, oh, gonna get married,
goin', goin' to the chapel, baby; we're gonna get married, married,
oh, gee, I really love you, c'mon baby,
we're gonna get married, married,
goin' to the chapel of love.
Oooh, a one more time,
we're goin' to the chapel of love.
C'mon, c'mon and let me hear it,
goin' to the chapel of love, love, love.

shooby doo-whop, wa da
(spoken)
Bette: "That is the pits ending to a really terrific song!"
Man: "That is the worst ending I've ever heard!"


. . .


Walking along the beach last night
who do you think I spy?
A girl with ebony fire eyes.
Soft and low do she cry.
Now what could be such a source of pain?
I so boldly inquire.
Pointing finger Havana way,
these three words which transpire:

She told me that only in Miami
is Cuba so far away?
Only in Miami.
My story, she goes this way.
Fish may fly through the purple keys,
golden birds take to air.
I am bound to the earth, it seems.
My life can be so unfair.
Only in Miami
is Cuba so far away?
Only in Miami
is Cuba so far away?

Standing on the shoreline waiting,
everyone anticipating.
I can hear the broken hearted say:
Only in Miami
is Cuba so far away?

And she cries for her child without a mother.
And she cries for her son without a father.
And she cries for herself without a lover.
Can't face another day.
Chase the fears away.
I thought I heard her mumble as she
turned away:

Only in Miami
is Cuba so far away?
Only in Miami
is Cuba so far away?

Standing on the shoreline waiting,
everyone anticipating.
I can hear the broken hearted say:
Only in Miami
is Cuba so far away?
Only in Miami
is Cuba so far away?
Only in Miami
is Cuba so,
Only in Miami..

. . .


"When he held me in his arms,
when he held me in his arms and said,
"Baby, baby, baby, you are the only one for me."

When a man loves a woman,
can't keep his mind on nothing else.
He'll trade the world
for the good thing he found.
Yeah, if she's bad, he can't see it.
She can do no wrong.
Turn his back on his best friend
if he put her down.

When a man loves a woman,
spend his very last dime
tryin' to hold on to what he needs.
He'll give up all his comforts,
go out and sleep out in the rain,
if she says, "Baby, that is how it's gonna be."

When a man loves a woman,
gives her everything that he has,
tryin' to hold on to her precious love,
cryin, "Baby, baby please don't treat me bad."

When a man loves a woman
down deep in his soul,
she can bring him such misery.
Yeah, she's bad, but, oooh,
he's the last one to know.
Lovin' eyes don't ever see.

So, this man says he loves me, he loves me.
He gives me everything, everything,
everything that he has,
tryin' to hold on to my precious love,
cryin', "Baby, baby, baby, don't you, don't you
treat me, treat me bad."
Ohhhh . . . yeah.

When a man loves a woman
he can do her no wrong.
He could never hold another girl.
Oh, you tell me you love me, baby,
and gonna hold me tight.
Baby, baby, this is a man's world.
No, no.
Oh, baby, a change is gonna come down
in this man's world.


. . .


Some say love, it is a river
That drowns the tender reed
Some say love, it is a razor
That leaves your soul to bleed

Some say love, it is a hunger
An endless, aching need
I say love, it is a flower
And you, it's only seed

It's the heart, afraid of breaking
That never learns to dance
It's the dream, afraid of waking
That never takes the chance

It's the one who wont be taken
Who cannot seem to give
And the soul afraid of dyin'
That never learns to live

When the night has been too lonely
And the road has been too long
And you think that love is only
For the lucky and the strong

Just remember, in the winter
Far beneath the bitter snow
Lies the seed, that with the sun's love
In the spring, becomes the rose

. . .


Miss Otis regrets she's unable to lunch today, madam.
Miss Otis regrets she's unable to lunch today, mmmmmm.
And she's sorry to be delayed,
but last evening down at lover's lane
she strayed, madam.
Miss Otis regrets she's unable to lunch today.

When she woke up and found
that her dream of love was gone, madam,
she ran to the man
who had lead her so far astray.
And from under her velvet gown
she drew a gun and shot her lover down (he should have seen it coming), madam.
Miss Otis regrets she's unable to lunch today.

When the mob came and got her
and dragged her from the jail, madam,
they strung her up
on the willow across the way.
And the moment before she died
she lifted up her lovely head and cried, madam.
Miss Otis regrets she's unable to lunch.
Miss Otis regrets she's unable to lunch today.

. . .


We'll, I'm leaving my family
I'm leaving all my freinds
My body's at home, but my heart's in the wind
And the clouds are like headlines
Upon a new frontpage sky
My tears are saltwater, the moon's full and high

And I know Joe Comrad
Would be proud of me
Many before me 'been called by the say:
'To be up in the crow's nest,
Singing my sayin':
Shiver me timbers, let's all sail away'

And the fog's lifting, the sand's shifting
I'm drifting on out
Old captain Ahab's got nothing on me
Swallow me, don't follow me
I'm travelling alone
The water's my daughter
I'll skip like a stone

And the fog's lifting, the sand's shifting
I'm drifting on out
Old captain Ahab's got nothing on me
Swallow me, don't follow me
I'm travelling alone
The water, she is my daughter
I'll skip like a stone

Won't you please call my family?
Tell 'em not to cry
My goodbyes are written by the moon in the sky
Say, nobody knows me
I got no reason to stay..
Shiver me timbers..
I'm sailing.. Away..

La la la la la la
la la la la
La la la la la la la
La la-ah la


. . .


Oh, oh, oh, oh

It must have been cold there in my shadow
To never have sunlight on your face
You were content to let me shine, that's your way
You always walked a step behind

So, I was the one with all the glory
While you were the one with all the strain
A beautiful face without a name for so long
A beautiful smile to hide the pain

Did you ever know that you're my hero
And everything I would like to be
I can fly higher than an eagle
For you are the wind beneath my wings

It might have appeared to go unnoticed
But I've got it all here in my heart
I want you to know, I know the truth, of course I know you
I would be nothing without you

Did you ever know that you're my hero
You're everything I wish I could be
I could fly higher than an eagle
For you are the wind beneath my wings

Did I ever tell you you're my hero
You're everything, everything I wish I could be
Oh, and I, I could fly higher than an eagle
For you are the wind beneath my wings
Cause you are the wind beneath my wings

Oh, the wind beneath my wings
You, you, you, you are the wind beneath my wings
Fly, fly, fly away, you let me fly so high
Oh, you, you, you, the wind beneath my wings
Oh, you, you, you, the wind beneath my wings
Fly, fly, so high in the sky
So high, I almost touch the stars
Thank you, thank you, thank God for you
The wind beneath my wings

. . .


He was a famous trumpet man from out Chicago way
He had a boogie style that no one else could play
He was the top man at his craft
But then his number came up and he was gone with the draft
He's in the army now, a-blowin' reveille
He's the boogie woogie bugle boy of Company B

They made him blow a bugle for his Uncle Sam
It really brought him down because he could not jam
The captain seemed to understand
Because the next day the cap' went out and drafted a band
And now the company jumps when he plays reveille
He's the boogie woogie bugle boy of Company B

A-root, a-toot, a-toot-diddelyada-toot
He blows it eight-to-the-bar, in boogie rhythm
He can't blow a note unless the bass and guitar is playin' with 'im
A-ha-ha-handthe company jumps when he plays reveille
He's the boogie woogie bugle boy of Company B

He was some boogie woogie bugle boy of Company B
And when he plays boogie woogie bugle he was busy as a "bzzzy" bee
And when he plays he makes the company jump eight-to-the-bar
He's the boogie woogie bugle boy of Company B

A Toot-diddelyada, Toot-diddelyada, toot-toot
He blows it eight-to-the-bar
He can't blow a note if the bass and guitar isn't with 'im
A-ha-ha-hand the company jumps when he plays reveille
He's the boogie woogie bugle boy of Company B

He puts the boys to sleep with boogie every night
And wakes 'em up the same way in the early bright
They clap their hands and stamp their feet
Cause they know how he blows when someone gives him a beat
Whoa whoa he breaks it up when he plays reveille
The boogie woogie bugle boy of Company B

A-Root, a toot, a-toot-diddelyada-doot to-to-toot
He blows, eight to the bar
He can blow a note if the bass and guitar isn't Whoa with him
and the company jumps when he plays reveille
He's the boogie woogie bugle boy of Company B!

. . .


Johnny: "Okay. And once again, here's Bette Midler."

Bette: "Well, you know, when they asked me to come on and . . .
I can't believe it! The last, the last guest. The last fool
Mr. Carson will have to suffer gladly. You are the wind beneath
my wings. Oh, well he is."

Quarter to three. There's no one in the place
except you and me.
So set 'em up, Joe. Got a little story
I think you should know.

We're drinkin', my friend, to the end
of a sweet episode.
Make it one for my baby
and one more for the road.

Got the routine. So drop another nickel
in the machine.
Oh, gee, I'm feelin' so bad. Wish you'd make the music
so dreamy and sad.

You could tell me a lot. But it's not
in a gentleman's code.
Let's make it one for my baby
and one more for the road.

You may not know it,
but buddy you're a kind of poet.
And you've had a lot of things to say.
And when I'm gloomy
you always listen to me,
until it's talked away.

Well, that's how it goes.
And John I know you're getting
anxious to close.
So, thanks for the cheer.
I hope you didn't mind me
bending your ear.

For all of the years,
for the laughs, for the tears,
for the class that you showed,
make it one for my baby
and one more for the road.
That long long road.

Johhny: "Thank you, Bette. Ah."

. . .


And I am all alone.
There is no one here beside me.
And my problems have all gone.
There is no one to deride me.

But yah got to have friends.
The feeling's oh so strong.
Yah got to have friends
to make that day last long.

I had some firends but they're gone,
somethin' came and took them away.
And from the dusk 'til the dawn
here is where I'll stay.

Standing at the end of the road, boys,
waiting for my new friends to come.
I don't care if I'm hungry or poor,
I'm gonna get me some of them.

'Cause you got to have friends.
La, la, la, la, la, la, la, la, la, friends.
That's right you, oh you, yeah you,
I said you gotta have some friends,
I'm talkin' about friends, that's right, friends.
Friends, friends, friends.

I had some firends, oh, but they're all gone, gone,
somethin' came and snatched them away.
And from the dusk until the ran ran dawn, you know,
here is where I gotta stay, here is where I gotta stay.

And I'm standing at the end of a real long road
and I'm waiting for my new friends to come.
I don't care if I'm hungry or freezin' cold,
I'm gonna get me some of them.

'Cause you gotta have friends,
that's right, friends, friends.
I gotta get my, I gotta get my, I gotta get my,
look around and see all of my friends.
Oh, friends, that's right, friends, friends,
friends, friends, friends, friends, oh,
friends, you gotta have friends . . .

. . .


"It's Christmas time. Gonna sing a little song for you."

There are places I remember
all my life, though some have changed.
Some forever, not for better.
And some have gone, and some remain.

All these places have their moments
with lovers and friends I still can't recall.
Some are dead and some are living.
In my life I love them all.

But of all these friends and lovers,
there is no one compares with you.
And these memories lose their meaning
when I think of love as something new.

Though I know I'll never ever lose affection
for people and things that went before,
I know I'll often stop and think about them.
In my life,I love you more.

Though I know I'll never ever lose affection
for people and things that went before,
I know I'll often stop and think of them.
But in my life I loved you more.
I love you more.
I love you more.

. . .


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